Had a lovely + striking studio-visit with one, Christine Buckton Tillman in her upper-floor home studio.

With no commute necessary, Christine is typically able to muster at least 5-10 studio hours/weekly...even if in morning-pockets pre- her local art-teaching gig [high school level]. Finding daily/intermittent-[if even tidbitted]-studio work both fruitful + fulfilling, she draws inspiration from a varied assortment. There is the ever-present enthusiasm and intriguing teenage drama from her students, material play from party supplies [think of the potential + inherent joy in this disposable happiness!] + daily things seen + sometimes [for the good] reinterpreted.
With a painting + drawing background, and a general love of materials [especially party-supplies], coupled with professional practice in sculpture; inspirational 2 + 3D compositions abound within day to day findings. Like when frequenting a favored party favor aisle/store- the display rack of streamers transforms into a giddy-making pattern of [rolled] colored dots along a wall.
Many of Christine's drawings are anchored in grid + color- [a technique with a history surprisingly-hilarious :: a stress-injury to the all-important knitting/drawing-hand turns out to have been caused by frequent + badly-formed high-fives-- thus causing her to shift to less-hand-intensive-methods]. The ability to neatly consolidate colors and yet stretch borders created by the artist herself yields calmly-chaotic + tangibly-there drawings ::

All of her works, forms being rather assorted-in-nature, are all parts of a whole. Noting her works as "making objects about happy," this is visibly apparent- across the board.

Visiting her studio revealed some pretty great and inspired findings ::
a healthy obsession with faux-wood-grain ["faux bois," a la martha] contact paper [how very top shelf (!)] ::
some re-iterations of party-themed goodness [made for a v. happening [work]space] ::


grouped and less-told arrangements of her drawings create potential-noveau-gallery-walls ::
the growing collection of in-process plaid-ed [swoon] + hand-woven mylar [1 square completed per week] squares [below] to yield a soon-to-be-madras something...inspired by the below-below ::

fun process + evidence of an awesome collaboration with photographer Terry Lansburgh

be a victim of the happy-making + buy all-things christine buckton tillman here.